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Research for assignment one

  • cndartstudio
  • Aug 11, 2017
  • 2 min read

After choosing my objects for the assignment I started researching how some of the objects were depicted by modern and contemporary artists, the most interesting being the Clown: reasons why artists chose to paint clowns.

Modern artists and clowns

Painters from Seurat to Matisse were drawn to the circus – the acrobats, tumblers and clowns, and at the most basic level the appeal came from the bright costumes that offered rich readymade subject matter full of dynamism and drama.

However there is also the myth of the sad clown who does everything to make people laugh and entertain the public while hiding a range of different emotions behind the mask. Travelling players on the margins of society, playing a part and concealing their sorrows.

Many artists identified with this character and saw themselves on the edge of society - trying to sell their work to a bourgeoisie that wasn’t interested, and like the clown – doing their best to entertain, but not always succeeding. In this way circus performers became an equivalent for artists, who treated them almost autobiographically – (Richard Thomson, professor of fine art at the University of Edinburgh).

Fernand Pelez’s Grimaces and Misery – The Saltimbanques shows a troupe of tired, overworked entertainers (Credit: Petit Palais, Musée des Beaux-Arts de la Ville de Paris)

The entertainers in Picasso’s Family of Saltimbanques are cast in a desolate landscape, a long way from the bright lights of the big top (Credit: Wikipedia)

Two Clowns, 1954 Pablo Picasso (credit to artnet.com

Holly Farrell a professional Canadian painter did a series of portraits of clowns who sat for her and she explained why she painted clowns – “There is a duality in clowns that I find fascinating – there is the clown I painted, and there is the person, behind the paint. Their mask, their nose, their paint allows them to draw on parts of themselves that would typically be frowned upon in our society. The person and the clown do not live in perfect harmony – it seems they rely heavily on one another at times. Our response to the clown says so much about ourselves”. http://www.thejealouscurator.com/blog/2014/02/12/holly-farrells-clowns/

Picture credit to Thejelouscurator.com

Picture credit to Thejelouscurator.com

References:

Gill Polonsky, 2014, Chagall, Phaidon

Danielle Kris, 2014, http://www.thejealouscurator.com/blog/2014/02/12/holly-farrells-clowns/

Alastair Sooker, 2017, http://www.bbc.com/culture/story/20170306-why-the-circus-fascinated-modern-artists


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© 2017 Cecilia Barandiaran-Sprot photos and content unless otherwise specified

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